There is an exchange in Interior Café
Night, where Naseeruddin Shah’s character tears open a sugar sachet and spills
it on the table. The sugar is a good metaphor for the entire film: sweet.
Large Short Films’ latest
offering is a 12 minute long, single scene film shot in a modest Kolkata café, which
is run by Naseeruddin Shah’s character. He is shown coming out of the café kitchen
to stand behind the café counter when he spots a lady sitting at the table,
with ‘Shaame gham ki kasam, aaj gham hi
hai gham’ playing out in the background. The lady turns out to be none
other than Shernaz Patel’s character, who he knows from long ago. It is time for
the café to shut shop, and at that quiet time, the film focuses on a young
couple sitting parallel to the protagonists. And there starts the story.
While the older couple talks
about their times, the young couple are playing out their own piece. The criss-crossing
between the stories is cleverly done, and by the end,comes together nicely. It leaves us
thinking about the choices we make. Sometimes things are really out of our
hands, but is that always the case? Are there second chances for when we really want to make things happen?
What can be said about Naseeruddin
Shah’s or Shernaz Patel’s acting that has not been said before? These are such
seasoned actors, that they don’t even have to try to be in characters, it seems
to come naturally. Also, it helps that the characters are urban professionals,
which are relatively easy to essay. But their real acting prowess is visible in each micro-expression, which is so delightfully visible, given the closeup shots.
Ultimately Interior Café Night is
a pleasant watch, which leaves you feeling warm about second chances in
situations that might have seemed lost forever. Go watch it if you have a few
minutes to spare.
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